My work is now known within both the Australian and international landscape photography scene as being diverse and refined, combining effective compositions with tasteful and creative post processing, fusing different photographic approaches into my own unique style. Being equally amazed by the grand, wide-angle scene and the abstract, unnoticed details generates this diversity in my portfolio, which I hope inspires viewers to both look out as well as down when in nature. 

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As a modern photographer, processing my images in the "digital darkroom" is an essential part of my style and workflow. My goal in an image is to convey, rather than document, the scene. A photo can never truly communicate the fullness of an in-person experience, and so I sometimes employ elements of creative license in editing to aid this. This is not to say my images are composites, digital art, or "fake" for lack of a better word - I've never dropped in a sky from a different day, for example - but I enjoy bringing the most out of my raw files to create a visually impactful result without being legalistic in limitations.